They won't block out commuter noise like rumbly buses, and they don't have a mic built-in, although you can purchase an audio cable with an in-line mic separately. Once you get a good fit with the provided ear tips, you'll get consistent audio delivery each time you use them too. Their in-ear design is very comfortable, and some people may even prefer fit compared to open-back headphones as it can help block out some background noise like ambient chatter. They can't create an immersive soundstage either, as their shape bypasses your outer ears, which need to be activated by sound to create a more natural, wide, and large sound. Their treble range is underemphasized, though sibilants like cymbals are dull and lispy. It doesn't overwhelm vocals and lead instruments, though, and they're reproduced clearly in your mixes. They have a slight bump in high-bass to add warmth and boom to your mixes. They're wired in-ear monitors (IEMs) with a comfortable fit and a neutral sound suitable for different music. The best in-ear headphones for music that we've tested are the MOONDROP Aria. Their audio cable is detachable, so if it gets damaged, you can easily replace it. They're also decently well-built, although the fabric padding feels like it could rip over time, and the swiveling ear cups seem prone to breaking under stress. These over-ears have a very comfortable fit with spacious and well-padded ear cups. Although it doesn't feel as out-of-head or as immersive as the soundstage created by the Sennheiser HD 800 S, it still feels wide, open, and spacious. Thanks to their open-back design, they have a great passive soundstage. Although they lack more bass than the HiFiMan Edition XS, they have a touch of extra high-bass to add warmth to your mixes. These over-ears have an extremely balanced and neutral mid-range, making them well-suited for genres like classical and folk that rely on the accurate reproduction of vocals and lead instruments. If you're on a tight budget, the best entry-level headphones for music are the Philips SHP9500. Luckily, they can still deliver audio consistently among different re-seats. The ear cups and frame are quite large, which can be problematic if you have a small head. Sound also seems like it's coming from outside of your head rather than from inside your head.Īlthough they feel a bit more plasticky and cheap than higher-end options, they still have a good build quality and feel comfortable enough for long listening sessions. These over-ears create a passive soundstage that's natural, spacious, and wide. Vocals and lead instruments also sound clear, accurate, and neutral, but a dip in their high-mids weakens these sounds. These over-ears have a fairly neutral sound profile with a touch of extra warmth and boom. As a result, they can produce more bass than their dynamic counterparts at this price point and create a more immersive passive soundstage. Unlike the Sennheiser HD 800 S, these over-ears have planar magnetic drivers instead of dynamic drivers. If you're looking to spend a little less on audiophile headphones, the best mid-range headphones for music we've tested are the HiFiMan Edition XS.
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